Bereft of a concept of the 'real', Marx's economic base and dependent superstructure simply collapsed into each other. All that...

500 Million Euros! Somebody has good taste. My office mate, and personal assistant (he he he), David Sonju directed me to this article ea...

The literary terms 'protagonist' and 'antagonist' are common enough. The 'protagonist' is the main character of a pl...

Most of my blog posts, lately, have been about visual images. They are an attempt to bring words to a visual metaphor, and to explore its p...

I have been thinking a lot about how when we look at a painting we not only complete or finish what the artist began, but we also can become...

The team at Noonday Films have put together a fantastic documentary called Old Radicals, and you can watch and vote for it here at the Inte...

Goldsworthy intentionally incorporates a tension between risk and control within his creative practice. One way that this tension manifests...

A common feature of 'modern artist' biographies is the inclusion of stories that illustrate the artist's propensity for eccentri...

Photo courtesy of Boutwell Draper Gallery Another post of considerable length with further reflections on Goldsworthy's creative practic...

"The assumptio carnis means that God willed to coexist with the creature, that the creator willed to exist also as a creature for the r...